Edward Lynley Sambourne and his wife (Marion) took residence of 18 Stafford Terrace in Kensington in 1874. The Sambourne family and descendants maintained the Victorian style and content. The house was taken over and maintained by the Victorian Society and then the Royal Borough of Kensington and Chelsea in 1989.
The website ⇒ is informative, interesting and shows much of Edward Lylynley Sambourne’s work as an illustrator. There are a variety of tours available and open house (when photography is allowed) on some afternoons. Hence the website is an essential read for those who wish to visit and may wish to note there are four flights of stairs without a lift.
The website is also used by Leighton House. An interesting place but photography is not allowed (2017).
For 40 years Edward Lynley Sambourne was notable contributor to the comedic and satirical magazine Punch ⇒ (its website includes a large gallery of cartoons). The house at 18 Stafford Terrace is full of drawings, artworks and some very fine stained glass. He also created the earliest draft drawings for the illustrated version of the Rev Charles Kingsley’s book the Water-Babies. More of Edward Lynley Sambourne’s work ⇒ as shown on Flickr.
The house and its atmosphere has been so carefully preserved that it is like walking back in time, although one can only enter the edge of each room. Enjoy ~ 🙂
. . and goodnight all. 🙂
The Royal Museum and Free Library was founded in 1858 and moved to the Beaney Institute in 1891 following a bequest by George Beaney to build an ‘Institute for Working Men’. The building is on the High Street and is bigger than it looks, housing an information centre, modern library, cafe and several exhibition rooms. Entry is free and it is child friendly with tables for games and drawing. The Beaney is an award winning facility with exhibitions, educational facilities and events. Website ⇒.
Just a few of the exhibits :- .
Kent was a summertime haunt for travelers and people from the East End of London to engage in hop picking.
And, part of a temporary exhibition by Grayson Perry called “The Vanity of Small Differences”.