In All Their Glory
11 pics. Paintings on this blog have been enhanced a little to compensate for lighting/age, but not so much that a visitor to the venue would be disappointed by the original. However, the camera can show what time has hidden. In turn, that shows why some of these works began with such renown. A renown that they carried forward into the present, even as they lost their original appearance.
Here is an attempt to show each of these pictures at their best. Mostly by extraction of detail from darkened areas together with a little colour enhancement.
To view the detail, please click on an image and then again to magnify.
This one particularly caught my eye because the artist had managed to capture the texture and shading of a velvet dress. We take for granted that such can be shown in a photograph, but to do so with paint is a marvelous achievement.
Turner’s work is more evocative than detailed, but it does capture one’s senses.
I chose this one because the candle flare, the glow on the faces and shadowy figures in the background all add to a sense of being there.
Every face has an expression that could tell a tale. Especially ‘im with the cheeky grin at the bottom.
A mythical horse followed by a mythical lady. Both may attune to our extra senses.
The Lady of Shalott has been brought out just enough to see the depth of paint used for the texture of the background trees. Perhaps what is so striking about this work is how Waterhouse used variations of colour intensity to draw one’s eye to the central scene then more to the lady and then yet more to her face. A face and expression which well suits the story in the poem ⇒ .
The designer of these will probably never know such acclaim as those above. But I think, in good company with all those who care about their work and try to create something for the enjoyment of others.
Thanks for the visit and I hope you found it pleasing to your eye.