In All Their Glory
Saints Genevieve and Appollonia and Saints Christina and Ottilia by Lucas Cranach the Elder at the National Gallery
11 pics. Paintings on this blog have been enhanced a little to compensate for lighting/age, but not so much that a visitor to the venue would be disappointed by the original. However, the camera can show what time has hidden. In turn, that shows why some of these works began with such renown. A renown that they carried forward into the present, even as they lost their original appearance.
Here is an attempt to show each of these pictures at their best. Mostly by extraction of detail from darkened areas together with a little colour enhancement.
To view the detail, please click on an image and then again to magnify.
Elizabeth I by Steven van Herwijck at the Tate Britain
This one particularly caught my eye because the artist had managed to capture the texture and shading of a velvet dress. We take for granted that such can be shown in a photograph, but to do so with paint is a marvelous achievement.
The Fighting Temeraire by Joseph Mallord William Turner at the National Gallery
Turner’s work is more evocative than detailed, but it does capture one’s senses.
Seaport with the Embarkation of the Queen of Sheba by Claude at the National Gallery
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The Decline of Carthage by Turner at the Tate Britain
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Market Scene by Night by Petrus van Schendel at the Queen’s Gallery
I chose this one because the candle flare, the glow on the faces and shadowy figures in the background all add to a sense of being there.
A Village Revel by Jan Steen at the Queen’s Gallery
Every face has an expression that could tell a tale. Especially ‘im with the cheeky grin at the bottom.
The Horses of Achilles in the style of Anthony van Dyke at the National Gallery
A mythical horse followed by a mythical lady. Both may attune to our extra senses.
The Lady of Shalott by John William Waterhouse at the Tate Britain
The Lady of Shalott has been brought out just enough to see the depth of paint used for the texture of the background trees. Perhaps what is so striking about this work is how Waterhouse used variations of colour intensity to draw one’s eye to the central scene then more to the lady and then yet more to her face. A face and expression which well suits the story in the poem ⇒ .
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Carnival Masks at the Winter Wonderland Hyde Park
The designer of these will probably never know such acclaim as those above. But I think, in good company with all those who care about their work and try to create something for the enjoyment of others.
Thanks for the visit and I hope you found it pleasing to your eye.
More artwork (all free to visit) at the National Gallery, National Portrait Gallery, Tate Britain, Wallace Collection and Kenwood House. There is also the Queen’s Gallery which does charge for entry.
The Queens Gallery
The Queens Gallery can be found at the southern wall of Buckingham Palace (near Victoria Station) beside the Royal Mews and you can photograph in both. Nearby are the State Rooms, where photography is not allowed. There are also some very royal gift shops.
I’ve chosen paintings and sketch cartoons that show slices of life from the artist’s point of view. They have all been enhanced to compensate for the low lighting and the fading/darkening of paint over time. They show the patience and skill that was employed, which makes them a joy to see.
Paintings
Market Scene by Night by Petrus van Schendel
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Agatha Bas by Rembrandt van Rijn
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An Old Man and a Girl at a Vegetable and Fish Stall by Willem van Mierls
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A Village Revel by Jan Steen
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The Embarkation at Margate of the Elector Palatine and Princess Elizabeth by Adam Willaerts
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Interior of Tavern with Card Players and a Violin Player by Jan Steen
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Ornamental
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Cartoons
18th century Britain was quite frank in its depictions of society and the notable. Sometimes irreverent and quite often bawdy. The first is a satire of the Duchess of Devonshire trying to assist her lover, Charles James Fox, to obtain a seat in Parliament. Fox succeeded in being elected but the Duchess never regained her reputation.
The Devonshire, or Most Approved Method of Securing Votes
Dressing for a Masquerade
The Unwelcome Visitor
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A New Cock Wanted or Work for the Plumber
More Ornaments
To restore some dignity, a picture of bathing implements for the royal corgis. 🙂
Freed From Time 